TMD weddings have their own fare of rituals and ceremonies with some of them being preserved customs and some adopted, and yet more observed!
Every single function would entail a "HALEDH-KUNKU" ceremony when all the married women present would be given haldhi and kumkum and sometimes arecanut with 2 betel leaves( called "VIDAACH PAAN -SUPARI") and a fruit.
Also every occasion involves an arathi performed by two married women ..SAVASHNIS
along with a song sung
A bride is called "NAVRI"and the groom is called "NAVRA"
Engagement ceremony is called "VAAKNISCHAYA"
Before the wedding preparations start, there would be a special function with at least 5 ladies, who would get together and pound the turmeric rhizome and powder it.
This function is called "HALKUND THENCHNA" As the name suggests 'pounding of turmeric rhizome'
The bride is also made to wear green bangles, which she cannot remove for one month after the marriage.
The day prior to the wedding would be "DEV-DEKH" ; also called "Deversamaradhana".
when the family "KULADEVA" or family deity is worshipped. There is also "NAANDI" ceremony when the forefathers are invited to witness the marriage and bless the couple.
That evening before the wedding day, which is the the wedding eve, are two functions.
The first of these functions is "MOOL PHANA" . MOOL means girl and PHANA means 'seeing' so this is basically "girl seeing" . However, this is honoring of the bride by the groom's parents.
The bride is given decorative , artistic gifts, pleasing to the eye; she is offered all the 16 shringaar samaan.... The groom's mother ritually 'dresses' her up offering cosmetics and a saree, jewelry etc.
The second function is "JHANVAAS". Here the groom is honored by the bride's parents. He is offered clothes, some jewelry etc. He too is offered eye pleasing decorative gifts and 'laadus' and sweetmeats.
Following this would be a formal introduction of the both families with "Bhukka powder"
After the function is a grand "JHANVAASACHA JEVANA" which is a grand dinner!
The wedding day begins with a ritual "abhyanga" performed for the bride and parents and the groom and his parents separately. Oil applied and an arathi performed followed by the oil bath.
The bride is dressed in a yellow saree and the groom in a yellow dhothi. Originally this saree and dhothi would be cotton cloth soaked in Haldhi (Turmeric). A lot of flowers would adorn the bride's head and two limes hung from 2 sides. A special type of kunku adorns her forehead...it is shaped like a vertical line with a small half "U" that cuts the line.
Here some people have the custom of "MADHUPARKACHA JEVAN" whereby the groom is fed "doodh bhath" or milk, sugar and rice.
Otherwise, both the groom and bride and their respective parents do not eat any food till the marriage is over. This is because no "daan" including "kanyadaan" can be made or received after partaking food
Once dressed up the bride would perform "GAURI PUJA" this puja is performed in "mouna"(no talking by the bride).
In the meanwhile, the groom adorned with "kaajal" and wearing huge earrings made of wheat atta and haldi , carries a walking stick and wearing slippers heads for "KASHI YATRA"
Ironically, he is supposed to be saying he does not want to get married but wants to go on a pilgrimage to Kaashi!
While he thus heads for Kaashi, the bride's father approaches him, even as simultaneously the bride's brother holds an umbrella to the groom's head, and "pleads" with him not to go to Kaashi but to marry his daughter.
Not surprisingly, the groom agrees and they all give him new clothes and march him back to the marriage hall!
The next important step is the "ANTHARPAT". Interestingly, this has to be done in the "muhurth" time frame. Antharpat is the holding of a white or turmeric dipped cloth in front of the groom just as the bride is brought by her maternal uncle and aunt (mama and mami) to the marriage hall.
The antharpat continues as the bride takes her stand in front of the groom
Both cannot see each other as the cloth is held firm by two people. The bride and groom hold akshata in their hands to sprinkle on each other soon as the antharpat is off.
While the bride and groom wait thus in anticipation, the priest and the ladies assembled sing songs inviting all the gods, nature, the rivers, mountains and so on to witness the wedding..."saava dhaan"
Finally the curtain is off and as the bride and groom get to see each other amidst applause and all assembled sprinkle akshatha on them.
Then the "KANYADAAN" takes place. The bride's parents hand over or give daana of their daughter along with betel leaves, coconut, supari and dakshina to the groom.
Next is the elaborate "KANKANA". For this, a large ball of twine is soaked in milk and haldi by the priest. All married couples close to the family are called up on stage and form a huge circle. This ball of twine is passed on around few times until it makes two strong binding strings, one for the bride and other for the groom.
The groom then ties this on the bride's left hand and the bride on the groom's right hand.
This "Kankana" is very symbolic in displaying the strength of the bond of the husband and wife.
Following this is the tying of "MANGALASUTRA" . Prior to tying the Mangalasutra, it is placed on a coconut , sanctified with haledh and kunku and taken around to be blessed by the savashni women.
This is followed by showering each other with handfuls of yellowed rice grains.
Tying of the mangalasutra culminates the marriage though there are other functions following.
Putting of the "Jodvi" or toe rings by the groom on the bride's toes, while she stands royally.
Then the vedic part of the marriage ceremony includes the ' SAPTAPADI' (circumambulation) of the sacrificial fire seven times. Each circle represents a given promise between the husband and wife to support, nurture and love each other through the various steps of life. At the end of the Saptapadi, the bride and groom are taken to be shown the Pole star or Arundhati . This is to symbolise to them..as the pole star follows the moon, so should the wife follow the husband!
This is followed by "LAJA HOMA" where the bride's brother offers popped grain to the fire. This about concludes the marriage.
This is followed by a grand "Jevana" for all. Five banana leaves are arranged together , decorated with rangoli and candles for the bride and groom .
The afternoon or post wedding functions though dispensed with in most households still needs a mention as all customs need to be included in this.
There is the "NAAGOLI" with the decorated colored pots. "Rukhout" refers to the silver etc. given to the bride by her parents.
"GRIHAPRAVESH" is when the bride wears a nine yard saree, and dresses like the goddess Lakshmi and enters the groom's house for the first time.
A silver cup filled with rice is kept at the entrance and as the bride enters to the singing of 'Bhagyada Lakshmi Baramma'; she gently topples the cup with her right foot, thus splattering the grains .
This is symbolic of the bride entering her husband's house like the very Goddess Lakshmi and the splattering of rice grains symbolises the rush of wealth that she will bring to the house.
The bride then gives haledh kunku and vida to all present and "SOOP VANA" (Maruda bagina in Kannada) to 5 married ladies.
This is the time she gives "SOOP VANA" to her own mother, as she now belongs to another family.
"SOON MUKH PHANA" refers to the bride being accepted by the groom's parents and his relatives.
Finally is the "NISHAAK MUHURTH" referring to the consummation of the marriage.
The next day is "VYAAHYANCHA GHARCHA JEVANA" refering to the meal hosted by the groom's family.
Every single function would entail a "HALEDH-KUNKU" ceremony when all the married women present would be given haldhi and kumkum and sometimes arecanut with 2 betel leaves( called "VIDAACH PAAN -SUPARI") and a fruit.
Also every occasion involves an arathi performed by two married women ..SAVASHNIS
along with a song sung
A bride is called "NAVRI"and the groom is called "NAVRA"
Engagement ceremony is called "VAAKNISCHAYA"
Before the wedding preparations start, there would be a special function with at least 5 ladies, who would get together and pound the turmeric rhizome and powder it.
This function is called "HALKUND THENCHNA" As the name suggests 'pounding of turmeric rhizome'
The bride is also made to wear green bangles, which she cannot remove for one month after the marriage.
The day prior to the wedding would be "DEV-DEKH" ; also called "Deversamaradhana".
when the family "KULADEVA" or family deity is worshipped. There is also "NAANDI" ceremony when the forefathers are invited to witness the marriage and bless the couple.
That evening before the wedding day, which is the the wedding eve, are two functions.
The first of these functions is "MOOL PHANA" . MOOL means girl and PHANA means 'seeing' so this is basically "girl seeing" . However, this is honoring of the bride by the groom's parents.
 | |
| Mool Phana |
The bride is given decorative , artistic gifts, pleasing to the eye; she is offered all the 16 shringaar samaan.... The groom's mother ritually 'dresses' her up offering cosmetics and a saree, jewelry etc.
The second function is "JHANVAAS". Here the groom is honored by the bride's parents. He is offered clothes, some jewelry etc. He too is offered eye pleasing decorative gifts and 'laadus' and sweetmeats.
Following this would be a formal introduction of the both families with "Bhukka powder"
After the function is a grand "JHANVAASACHA JEVANA" which is a grand dinner!
The wedding day begins with a ritual "abhyanga" performed for the bride and parents and the groom and his parents separately. Oil applied and an arathi performed followed by the oil bath.
The bride is dressed in a yellow saree and the groom in a yellow dhothi. Originally this saree and dhothi would be cotton cloth soaked in Haldhi (Turmeric). A lot of flowers would adorn the bride's head and two limes hung from 2 sides. A special type of kunku adorns her forehead...it is shaped like a vertical line with a small half "U" that cuts the line.
Here some people have the custom of "MADHUPARKACHA JEVAN" whereby the groom is fed "doodh bhath" or milk, sugar and rice.
Otherwise, both the groom and bride and their respective parents do not eat any food till the marriage is over. This is because no "daan" including "kanyadaan" can be made or received after partaking food
Once dressed up the bride would perform "GAURI PUJA" this puja is performed in "mouna"(no talking by the bride).
In the meanwhile, the groom adorned with "kaajal" and wearing huge earrings made of wheat atta and haldi , carries a walking stick and wearing slippers heads for "KASHI YATRA"
Ironically, he is supposed to be saying he does not want to get married but wants to go on a pilgrimage to Kaashi!
While he thus heads for Kaashi, the bride's father approaches him, even as simultaneously the bride's brother holds an umbrella to the groom's head, and "pleads" with him not to go to Kaashi but to marry his daughter.
Not surprisingly, the groom agrees and they all give him new clothes and march him back to the marriage hall!
The next important step is the "ANTHARPAT". Interestingly, this has to be done in the "muhurth" time frame. Antharpat is the holding of a white or turmeric dipped cloth in front of the groom just as the bride is brought by her maternal uncle and aunt (mama and mami) to the marriage hall.
The antharpat continues as the bride takes her stand in front of the groom
Both cannot see each other as the cloth is held firm by two people. The bride and groom hold akshata in their hands to sprinkle on each other soon as the antharpat is off.
 |
| Antharpat |
While the bride and groom wait thus in anticipation, the priest and the ladies assembled sing songs inviting all the gods, nature, the rivers, mountains and so on to witness the wedding..."saava dhaan"
Finally the curtain is off and as the bride and groom get to see each other amidst applause and all assembled sprinkle akshatha on them.
Then the "KANYADAAN" takes place. The bride's parents hand over or give daana of their daughter along with betel leaves, coconut, supari and dakshina to the groom.
 | |
| Kanyadaan |
Next is the elaborate "KANKANA". For this, a large ball of twine is soaked in milk and haldi by the priest. All married couples close to the family are called up on stage and form a huge circle. This ball of twine is passed on around few times until it makes two strong binding strings, one for the bride and other for the groom.
The groom then ties this on the bride's left hand and the bride on the groom's right hand.
This "Kankana" is very symbolic in displaying the strength of the bond of the husband and wife.
Following this is the tying of "MANGALASUTRA" . Prior to tying the Mangalasutra, it is placed on a coconut , sanctified with haledh and kunku and taken around to be blessed by the savashni women.
This is followed by showering each other with handfuls of yellowed rice grains.
Tying of the mangalasutra culminates the marriage though there are other functions following.
Putting of the "Jodvi" or toe rings by the groom on the bride's toes, while she stands royally.
Then the vedic part of the marriage ceremony includes the ' SAPTAPADI' (circumambulation) of the sacrificial fire seven times. Each circle represents a given promise between the husband and wife to support, nurture and love each other through the various steps of life. At the end of the Saptapadi, the bride and groom are taken to be shown the Pole star or Arundhati . This is to symbolise to them..as the pole star follows the moon, so should the wife follow the husband!
This is followed by "LAJA HOMA" where the bride's brother offers popped grain to the fire. This about concludes the marriage.
This is followed by a grand "Jevana" for all. Five banana leaves are arranged together , decorated with rangoli and candles for the bride and groom .
The afternoon or post wedding functions though dispensed with in most households still needs a mention as all customs need to be included in this.
There is the "NAAGOLI" with the decorated colored pots. "Rukhout" refers to the silver etc. given to the bride by her parents.
"GRIHAPRAVESH" is when the bride wears a nine yard saree, and dresses like the goddess Lakshmi and enters the groom's house for the first time.
 | |
| Grihapravesh |
A silver cup filled with rice is kept at the entrance and as the bride enters to the singing of 'Bhagyada Lakshmi Baramma'; she gently topples the cup with her right foot, thus splattering the grains .
This is symbolic of the bride entering her husband's house like the very Goddess Lakshmi and the splattering of rice grains symbolises the rush of wealth that she will bring to the house.
The bride then gives haledh kunku and vida to all present and "SOOP VANA" (Maruda bagina in Kannada) to 5 married ladies.
This is the time she gives "SOOP VANA" to her own mother, as she now belongs to another family.
"SOON MUKH PHANA" refers to the bride being accepted by the groom's parents and his relatives.
Finally is the "NISHAAK MUHURTH" referring to the consummation of the marriage.
The next day is "VYAAHYANCHA GHARCHA JEVANA" refering to the meal hosted by the groom's family.
